Lillie Wolffe teeters with full arms
and makes her way into St. Basil's Catholic Church in South Haven,
Mich—a balancing act of posters, papers, buttons, and baked goods.
The pastries are from a local bakery in Kalamazoo and the lemonade is
made from certified organic lemons. She enters a large, empty room
filled six rows deep with chairs and a turquoise-blue crucifix that
hangs high in the back of the room and sets everything down. She
looks around, takes a breath, and begins to set up.
Tonight she is representing Welcoming
Michigan, a foundation that focuses on migrant worker outreach in the
rural Southwest Michigan community; but she is not here to educate
immigrants, she is here to educate Americans on their role in ending
xenophobia and discrimination. The room slowly fills with an older,
Anglo crowd and Lillie welcomes them and smiles and keeps breathing.
People are watching, but Lillie is not sure they are listening, so
she clears the air.
“Just to let you all know before I
begin, I'm okay,” she says as she smiles nervously, scanning the
crowd.
Lille was only 14 when her hair began
to fall out. She remembers it falling out in clumps until she “didn't
have enough left to have a full head of hair.” It was the summer
before high school when she had to shave it all off and she covered
her head with wigs until she was a senior. She remembers facing it
bravely, “stoically” as she puts it, but below the surface she
struggled with the potential of getting judged for
being different.
Alopecia is an autoimmune disease that
attacks Lillie's hair follicles and causes her hair to fall out at
random, leaving her patchy. Although purely cosmetic, it may have
left more marks on her internally then externally.
“I think my
Alopecia has led me to understand what its like to be different,
outside the paramaters of what mainstream wants to say is acceptable
or in the in-group.”
Lillie is an artist, an advocate, and
an instructor. She moves about busily in a flowing black dress,
dangling earnings that she hand-crafted, her piercing blue eyes fixed
on the crowd who shuffles out of the room at St. Basil's.
“Well...I think that went pretty
well,” she says expressively with a big smile.
Events like these are the cornerstone
of Lillie's work. During 45 minutes, she shows a short documentary
about the migrant farm work situation in Van Buren County and fields
discussion questions. Some make statements rather than ask questions,
some are kind and others are not, but Lillie keeps cool under the
pressure. The event ends and Lillie pours herself a glass of organic
lemonade.
Lillie believes in the power of
nature. It was during a college orientation expedition in the
wilderness in 1999 when her hair began to come back. It started
growing and for years it didn't stop. If you flip back though a
college yearbook, you will find her smiling with the same smile,
staring out with the same blue eyes, but with long hair caressing her
shoulders.
“I like to think that it was
nature,” says Lillie who for years tried a slew of herbal
supplements and healing massages, believing with all her might that
she had the power to bring her hair back. She now likes to believe
that all she needed to do is to let go.
Although her hair began to fall out
once again when she was 25 and has not since returned, Lillie is not
grieving her loss—she is out in the community advocating for those
at the margins of society.
During a typical workweek, Lillie
works over 40 hours doing desk-work in addition to the time she
spends out in the field putting on events like the one in South
Haven. And this is only her day gig. She has recently become involved
in the ERACCE movement which is seeking to eliminate racism in
Kalamazoo and she participates in numerous events throughout the
city.
But it is at Lillie's night job that
she finds her true solace. Every Wednesday and Thursday you can find
her at the Sangha Yoga Studio in downtown Kalamazoo instructing
classes. She found yoga ten years ago, after returning from studying
abroad in Ecuador in 2003. Lillie's self-driven attitude has worn her
out on more than one occasion, but she recalls feeling particularly
defeated upon her arrival home after 9 months.
“I came back and basically I was a
hot mess,” said Lillie, whose father recommended she take up yoga.
During the last 10 years, a lot has changed for her but yoga has
remained her constant.
Born in New York and raised in
Traverse City, Lillie returned back to the Big Apple after graduation
from college and began to make connections within the social justice
world. Later, she moved back up to Traverse City and founded an ESL
Program for migrant farm workers before moving down to Kalamazoo and
furthering her work within the migrant worker community.
She has been to India to study yoga,
back to Ecuador twice, from coast to coast of the United States, but
she cannot imagine being anywhere but in Kalamazoo.
“I think that the
anti-racism work that's happening in Southwest Michigan is unlike
anything happening in any other part of the world,” she says.
“There's so much potential here. There's so much we can do here.”
She puts emphasis on the
word “we,” recalling times when she felt like she could set out
to singlehandedly save the world and nearly got crushed by the
pressure.
“I can't not do this,”
she says passionately. “But, you can't be alone in this work. It's
not sustainable or healthy.”
She shifts her eyes
upward and to the left and runs her hand across her scalp and
remembers long sleepless nights organizing in Traverse City where she
worked alone on issues surrounding the migrant community. She
remembers the hustle and bustle of New York City and the
neighborhoods of Ecuador where she once walked and lived.
But ultimately Lillie
keeps on looking forward; she keeps on moving and organizing,
advocating for leaders to work together for change in the community.
“My liberation is tied up in your
liberation” Lillie says and she smirks. “Everyone has
historically thought that their fight is the good fight, but people
shouldn't have to choose what hat they wear. It's all connected; it
doesn't have to be an either-or, it's a both-and.”
Intended Publication: The Kalamazoo Gazette
Woah, Matt, I love this.
ReplyDelete"people are watching but she's not sure they are listening, so she clears the air". Talk about transitions! This is such a good one. I think your transitions are one of the strongest things about this piece.
I also love how you frame her life story in the context of alopeccia... its such a beautiful way to tell her story, drawing on the connections between the challenges Lillie has faced but how she chooses to advocate for other people who are marginalized. You also contextualize it beautifully in kalamazoo by describing all of the other places she's been and why she chooses to stay here... it makes Kalamazoo sound special, worthwhile, and i think that people in Colorado would find this interesting if they are drawn to some of these issues. There is so much here that is so good.
I don't really know what criticism to give at the moment... it's really coming together.
Charlotte
I think the quotes in this piece are some of my favorites that I've seen so far. All of them work really well and give to the piece rather than take away. I like the idea of the story being structured throughout the chronology of the night, I think that worked really well. The parallel between her disease making her feel very different from other people and then the groups that she is advocating for makes a lot of sense and I think it's amazing that she opened up to you about it so quickly, that's great. I wasn't sure if the yoga thing fit in or not, or maybe it just needed a little bit more of a transition. I think that there is plenty of information and chances to see her personality without that bit, but it could just be me! Great first draft and I can't wait to talk more tomorrow!
ReplyDeleteMatt, this is great work. Lillie's a powerful character, and even with this first draft you're doing a great job conveying her. As you revise this, don't stray too far from the path you're on, because I'm sure it's the right one.
ReplyDeleteI think you will have to decide what part of Lillie's story to tell, but that doesn't mean you have to leave anything out. I'm specifically thinking of the *titles* of the NYT "1 in 8 Million" photo essays we watched (The Kinky Lover, The Green Thumb, etc). If you were to give such a title to Lillie, what would it be? I know Lillie a little bit, and two words in your piece really stand out to me in describing her. The first is 'self-driven' ("Her self-driven attitude has worn her out on more than one occasion."). I feel this is corroborated by her tireless justice work, and by her "stoic" attitude toward Alopecia as a teenager. The second word is 'empathy.' I've never met anyone so genuinely empathetic as Lillie. It seems serendipitous that she's heading up the Welcoming Michigan campaign. This aspect of her personality is corroborated (read: can be supported with the details you've already developed in your story) by her experience with Alopecia (the otherness you so eloquently invoked) *and* her investment in Kalamazoo as home--it's where she truly wants to be, and she's working (driven?) to make it a more just home.
Anyway great job and I'm stoked to talk about it.
Hey Matt,
ReplyDeleteI think I have told you this before but your time with the index and your interest in journalism shines through in all of your pieces. Your integrity as a journalist is sound, and the pieces journalistic quality is really excellent. Great job finding someone interesting as well, that's obviously a huge part of the process that I think goes unnoticed a lot of the time.
I think your piece shared a lot of the strengths that charlotte's did, but it also shared a lot of the weakness'. This could be just be but I think the formula of starting a profile, or narrative piece out with a full of scene like that is a bit tired. I thought yours was well written but in order for the "tired" idea to work you really have to pick an interesting scene, or but your own spin on it. Secondly, and my piece is more guilty of this, but I'm nor sure I see the through narrative with this piece. What are you focusing on? Are you writing about her as an Alopecia patient, a social justice leader, just an overview of her? I thought it either needed to be broadened a good bit, or focused a little more.
Overall, an excellent first draft. Not shitty at all. (sounded very sarcastic but i swear to you it is not).
Woody
I like your introduction here, and your intended publication is fitting. I also think it's very commendable that you let your interviewing inform the piece even though that wasn't necessarily where you intended for it to go.
ReplyDeleteI think you're still negotiating what the primary part of her story is, but you're doing a good job of it, and hopefully talking with all of us tonight will help you get to where you need to be. You're experience reporting is really paying off for you here.
BYE
niiiiiiiiice. this is dope. i especially love the paragraph that begins "She shifts her eyes upward and to the left and runs her hand across her scalp..." your description of her, the way its almost poetry, really grips me, the reader.
ReplyDeletei would maybe like to hear more about her work, especially the meeting that you sat in on. i think that that that that that would be fascinating to hear about. what a devoted woman. that's why your description of her is so pretty, it begins to express what i thought one could only see in person. so much of her being is expressed in those words, and it becomes something more than just a profile, or something more than just a description of the person and her work.
as per usual, i think these things should be like autobiographies, like they should fill chapters, so i want to keep reading and reading. but thats a good feeling to have. i dug what i read, maybe just throw in some more of that fantastic writing youre so capable of.
Alright I just had to double read to find some critiques. You draw us in immediatly, and the crucial information keeps coming at typical points of boredom. What a great job keeping the reader, very nice.
ReplyDeleteI will follow up with other in saying that I think the negotiation between the two aspects of her life are important- and which will you begin with. When you say that she finds true solace at her job, I think this is the crux, but then I was so drawn at the beginning as well. Or could you weave them together at some point near the beginning and then tell both stories. I'd like to discuss this with everyone, because I think we'll all have different ideas about that.
See you in class.
This was really interesting. It's well-written and well-organized. It was fun to read. The beginning is great, and I like the way you introduce her autoimmune disease--it's really surprising and very effective.
ReplyDeleteYou have a lot of great material here, and you've shaped it into an excellent portrait of your subject. I think your main task is going to figuring out how to focus your lens, so to speak, and decide exactly what part of Lillie's story you want to tell. Once that's done, tighten everything up to further that theme and you're golden.
Nice job!
Trevor