The minute that I picked up The
Events of October, I could not
put it down. I borrowed a copy of the novel from a friend this past
Saturday afternoon and cracked it open with the intention of just
reading the first chapter. Three hours later, I found myself still
sitting in the same spot with my face in the middle of the book. I
know that my instant interest has a lot to do with me being a part of
this college community and the sense of shock I felt at the prospect
of a tragedy of this magnitude. Having said that, I think that Gail's
powerful ability to tell a story drew me in and sustained me. For me,
the sign of a good writer is the one who can get you to desire to
read more and to want to get to the end of the book. In this reading
response, I want to identify and break down the stylistic and
structural strengths of The Events of October that
make it one of the best pieces of creative nonfiction that I have
ever read.
- Ample Context
One
of the first things that I observed when reading this book is the
amount of time that Gail spends setting up the context for the
tragedy that later ensues. Not only does she describe the college
well for someone who has never visited a small, liberal arts college,
but she also does a good job at getting the reader to picture
Maggie's and Neenef's upbringing. In the case of Maggie, the reader
gets a good look at all of the potential she had and which was robbed
from her. In the case of Neenef, the reader gets a glimpse into his
psychological formation and red flags are raised for the reader early
on.
- Widespread Research and Interviewing
Another
thing that stuck me about this book is the sheer amount of
researching and interviewing that Gail did in order to put this book
together. I cannot even imagine all of the notebooks and files she
had filled and what a tedious task it would have been to sort through
it all. I think the her book is a testament to the power of ample
researching and the abundance of information appeases all of the
reader's doubts.
- Highly Thought-out Sequencing
Due
to the fact that Gail seems to have had so much material to put into
this book, I admire how she handled the arduous task of putting
everything together. Since being in this class and beginning to write
my own narrative pieces, I have discovered that this is the hardest
part of the process for me. Especially in the sections entitled “The
Endless Night” and “Hold Fast,” she manages to piece together a
narrative using all of her interviews that takes into account nearly
every aspect of those tragic weeks. Whether she divided them through
the use of her own voice or through the simple drawing of lines, the
chapters never read as jumpy to me. I think that she is more fabulous
that ever in this realm and I am going to ask her a lot about it in
class.
I
thoroughly enjoyed reading this book, even though the subject matter
is truly traumatic. I think that Gail puts together a fantastic
example of narrative journalism and I am really looking forward to
our class today so I can ask her for tips, both stylistic and
structural.
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