The readings for this week all
interweave to provide a basic basis for how to report, write, and
polish a narrative journalism profile. While I found some of the
readings more helpful than others, I took a little bit from each of
them in planning my own profile writing process. “Being
There” by Anne Hull really fascinated me because she went in-depth
in her suggestions for how to truly do deep and meaningful reporting.
I had always figured that shadowing the interviewee in their daily
life was key in addition to traditional reporting, but I never took
into consideration the more abstract areas of reportage that she
touches on. For example, she recommends that a reporter should read
the local paper, go to the local church, and to use the language of
the people that you are trying to capture. I think that in all of
these areas she makes very good points, especially in small town
America. If I were doing a story in New York City, perhaps these
details would be irrelevant due to the great amount of diversity—the
New York Times would not necessarily address the concerns of the
people as a whole and no one church would have the majority of people
as parishioners. However, here in Kalamazoo, these points are very
pertinent to reporting and I may have passed them by before reading
Hull's piece. Much of the energy happening in this town proceeds from
the pulpit and the social movements are often linked to a religious
organization. If something is going on that concerns the people of
Kalamazoo, it is likely to be reflected here in the Gazette and in
the church newsletters throughout town. As far as language goes, I
think that Hull's point rings especially true in the profile that I
am trying to piece together right now for this class. I am profiling
Lillie Wolffe with Welcoming Michigan, a migrant outreach group here
in Kalamazoo. The people who are most important to her and who she
deals with on a daily basis use Spanish as their first language; if I
want to interview them or become a part of her world for reporting
purposes, using my Spanish-speaking abilities is key to my story. I
really think that knowing Spanish provides me a level of access that
would otherwise go untapped in a story like this. As I read “Being
There,” I made a lot of connections that I plan to employ in my
writing.
As
Larissa MacFarquhar of The New Yorker says
in her speech: “Every
journalist who is not too stupid or too full of themselves to notice
what is going on knows that what he does is morally indefensible.
He's a kind of confidence man, preying on people's vanity, ignorance,
or loneliness.” I definitely have felt this way throughout the
process—trying to balance not wanting to intrude and wanting to get
the necessary material. I think that these writing guides are helping
me to cope with this balance and I am excited to see what comes of
this project. I am interested to know what others from class thought
about this dilemma and I look forward to our discussion.
Matt,
ReplyDeleteI completely agree about your points on going into the more abstracts areas of reporting. Kalamazoo is such a rich community that thrives off its closeness. I definitely feel like exploring areas surrounding who/what we decide to profile are integral in understanding our subjects as a whole.
I also agree with your point about not wanting to intrude! When I was interviewing my subject, he kept saying he didn't want to talk about a certain aspect of his life, but I thought that aspect was where the story was. I had to consciously tell myself to not ask him about it. What did you think about the several points made about being humble in an interview? What does being humble as a reporter mean to you?